The tools and resources offered by the new information and communications technologies are indissolubly linked to the processes of fundamental transformation. Social cooperation unveils its power in innovation and creation, offering models that permit distribution and expansion of contents for participants, users and audiences. Art has also a political function that requires ethical positions: aesthetic is not enough. Artistic practice, as I conceive it, must be transformed as a collective process into a form of “resistance” against a model that is obstinately aimed to prevail in a space of relations, which limits creativity, confiscates and manipulates the artist’s work diverting its energy towards a sterile confrontation and discouragement.