Introductory statement 01 - hosts
KONRAD BECKER:
The World-Information Institute  concludes that we are facing rather profound changes in our social,  economic, and cultural base that are driven by technologies. In our work  we try to address these issues from different points of view.Today we  will focus on the question, what actual realm of possibilities is left  for cultural practice and activism? With the decline of Postmodern  theory and possibly the weakening of neo-liberal hegemony as indicated  by the collapse of the financial systems, it might be time to reassess  the field in art and media. For a start I would like to read a quote by  Guy Debord, who says:
All aware people of our time agree that art can no longer be justified as a superior activity, or even as an activity of compensation to which one could honorably devote oneself. (Guy-Ernest Debord,“Methods of Detournement,” 1956)
And I would like to add that, fifty years later, things have  become considerably worse if you look at all the indicators. To probe  the perception of this we recently sent out a call to a large mailing  list of a couple of thousand cultural practitioners of culture, called  Nettime, and we proposed that not only is art completely dead but also  activism has not moved for a while and starts to smell funny. As it  were, there was no objection to that.
JIM FLEMING:
Media attention is in some ways what we are today concerned with. Last night Konrad and I went to a new documentary film called American Casino,   about the collapse of the financial economy, and I had the good  fortune  of overhearing some gossip in the row behind us. Two people of a   certain age, but who appeared to be on a first date, were talking  about  the Travelocity website, and the woman told the man that one of  her  colleagues was in charge of “non-transactional revenue” on  Travelocity,  the well-known electronic travel agency. She explained  that in fact the  very important function of this “non-transactional”  revenue was not from  selling plane tickets, hotel reservations or car  rentals, but from  “selling eyeballs.” Travelocity’s revenue stream  dependsnot so very much  on production, but on attention it has to  deliver. Konrad has recently  written a book called Strategic Reality Dictionary: Deep Infopolitics and Cultural Intelligence,   which has a nice, short entry on attention: “Attention, the most   strategic resource in the value chain, becomes a costly article of trade   that is convertible to status and access to business results. This   reshapes the economics of industries to invest in attention rather than   production.” I think that attention is also very central to our event   today.
| Content type | text 
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|---|---|
| Projects | Critical Strategies in Art and Media book 2010 Critical Strategies in Art and Media World-Information Institute  | 
    
| Date | 2010 | 
 Institute for New Culture Technolgies / t0